Hanging the Bat House

by Bryan Moats
I can see down into what used to be
a cattle dipping pond, 
where at least one horse is buried
and lawnmower batteries rot. 
I can hear geese. I can smell rooftops. 

White knuckling the swaying 
branchless pine, 
twenty-five feet high, this is also where I keep 
my fog knife safe. Folded up 
in the airstream. It rains. It is raining.

Great puddles of thinking just deep enough 
to please the bright Indian Runner 
and the weight of some fat Muscovy. Water 
seeks gaps in suet. To ruin the bird’s seed. 
To keep me in bed. To yawn all over me. 

I begin churning clarity 
the moment I hear thunder on the way, 
bouncing over the surface 
of the forest’s ready ministries. They have settled 
and spread out as a fog at twenty-five feet above the valley floor.

It still rumbles. Now the thickness
of dawn and its sister, 
an overfed cat, join me
at the top of the swaying naked pine. 
We sway. We are swaying.

We never know where to go with this
moment. We never know where to go with
this top-heavy moment. Like three
sedate Harold Lloyds.
Accidentally going on with things. Slicing nothing.

Bryan Moats lives in rural Arkansas with his family of five. He is a farmer, illustrator, volunteer firefighter, writer and former editorial art director for the Arkansas Times. Find Bryan on Twitter @BryanMoats or Instagram @brynomite.