by Monika Cassel
A man watches news about us about you I’m in the house speaking with my daughters about where and how many how were hurt and what will happen now outside, afternoon sunlight falls against my words, across the lawn, climbs the maple the twin windows reflect. Which daughter will dawn? Evening light. The crows wonder what help comes. Every day a web—the cloudbank settling on the hills, house to house, —what more to give my children? Give today the cloudbank. Here am I alive and in a body awake. Clouded. House shut tight. I cannot say how to bear I do not know what word I hold no. I’ll peel and chop the garlic soon for dinner, catch a syllable now— grief, carried, swims words from house to house, city to city. I might hold my daughters’ hands but often they decline. Ask me to name the tree across the street. Ask me where I come from. I grew in my mother in a country at war as she grew in hers, as my children grew inside me in another before I was birthed. By the fire a place to curl up & quiet the crows that congregate on neighborhood trees. My daughter—tall, tall— asks me to hold her. My words bubble up the gray coils of the power substation across the street. My hand a fence. She tells me a little about her day. She shuts the door, I answer. The spice smell of her hair slices soft through the clock of my own childhood. I walk out, see the west hills over other houses when I round the corner. The year’s last tomatoes pale red. People call out names quiet hum of the machine tired rain on the cheek a hummingbird pale moon shading darker. But see who was lined up who is the target here not here when on our street we say no never here a no man’s land not a long journey home lost the child now grown remembers the motion of travel not here we think a lost home a child nothing left the child now grown remembers but no once again the man watches the screen shows one thing. So much I have carried something is broken sometimes the hand rests where it was building. The crispness of a daughter who wants. The soft curl of her limbs when she hides in her bed. The beater paddle’s clang bread leavening never knowing which day night dark upon the city lingers across treetops soft cheese cut into blocks a pot of milk dropped and left where it fell come let me catch you cowed. Careful. Count me, here —I do not know light crowded like fog. Where are the hands coming like the sound of crows this one keeps singing me this one’s round, this one’s quiet? To birth is to fail someone— I’m hoping twilight’s end the undone I was carved a pinprick wanting to choose wishing no surprise though joy keeps striding into new qualities of light knowing one word too many can snap a sentence again. Joy when I am not alone lingers I swim words. We mark our ballots here a sparrow we swim upstream who knows when I can sleep with fruit with the heavier air who knows what is unmarked. Whose loss? Names written my house yes here again I come soft you are here here here come quiet ___
Monika Cassel‘s poems have appeared in The Laurel Review, Phoebe Journal, and Construction Magazine, and her translations from German have appeared in Michigan Quarterly Review, Guernica, and Asymptote, among others. Her chapbook Grammar of Passage (flipped eye publishing 2021) won the Venture Poetry Award. She is a degree candidate in poetry at Warren Wilson College’s MFA program and is a teaching artist with Writers in the Schools in Portland, Oregon. Twitter: @MonikaCassel